Had its premiere 10th of June 2011, has been directed by Jaroslaw Karch, graduate from the Silesian University of Science. He has tied his profession with dance thanks to annual participation in International Contemporary Dance Conference. Choreographer created an original spectacle. He has managed to describe by motion, a search for possibilities and exceeding of the limits imposed on us by the nature. General though, a leading idea arranging screenplay of motion narration, is a problem of automatization and unconscious falling of the society into dependencies. Actors, which has been influenced by the choreographer were just a bowls, which filled with a divine breath of the theatre Genius set the cogs of complicated life machine in motion. Complicated transitions, lift ups and choreographic layouts deserve true appreciation.
Director skilfully graduated the tension. Spectacle begins with the slow music, dictating slow motion. As the time passes, music is changing, becoming a bit livelier and making actors’ moves more dynamic. During the spectacle, moments of reflections appear. Dancers freezes only for a moment, staring at the imaginary sky. For a moment. Procedure of freezing time was an original choreographic accent, resembling of slow-motion animation. Dancers’ moves were slowed down, while they were trying to hold they hands together.
Scenical motion was ruled by a music, created and chosen by Pawel Murlik. It was music who controlled changes of choreographic layouts, lighting and.
Jak wiecie mam ostatnio "trudny czas" w związku z poszukiwaniami dla Wisełki "matki zastępczej", że tak to ujmę... Co jednak o dziwo nie przeszkadza mi w dalszym podążaniu programem PNH (Level 3)...
Mobilizujemy się i pilnie "pracujemy", by w przyszłości złożyć puzle w całość :)
Przez najbliżczy czas "męczymy i będziemy męczyć" następujące ćwiczonka:
Bridle-less Transitions (przejścia bez tranzelki):
Przejścia: galop->kłus, galop->stęp, kłus->stęp, stęp->stój, cofanie, a wszystko to z użyciem dwóch karrotów. Na początku z wodzami położonymi na szyję konia, a w przyszłości bez tranzelki.
Kiedy koń wykona dane przejście "pozostaw go w spokoju", by zrozumiał, że zrobił to prawidłowo.
Następnie zacznij znowu. Jeśli pójdziesz zbyt szybko naprzód koń wyrobi w sobie nawyk pójścia naprzód zamiast skupienia się na przejściu.
Spraw by myślał o utrzymaniu wolniejszego chodu po przejściu.
The Circling Game - No Reins
("Bullseye" to a new level)
only female street skater that can give Fabiola a run for the money.
She is a core street skater whose strength lies is skating rails. With
her one-year old pro status she ranked second in the world just
Martina won the X Games Women's Park in '01 and '02., and she has the chance to three-peat in '03. She is one of the few competitive athletes to successfully balance school with skating.
" You don't have to live in the US if you want to be good at parks but I think in the US there are more opportunities and more sponsors for real street skating than in Europe."
"I think Fabiola is a great skater. She is the best girl on vert and on
street; she is good at transfers and transitions, which I am not so
good at. But I think I am better at rails."
Fabiola da Silva
Fabiola is the most recognizable female in-line skater in the world.
Since the "Fabiola Rule" (introduced by the ASA in 2000, allows women to qualify into the men's vert finals), she has place several times in the in the men's top 10. Through her dedication and determination, she
has proven that she now can be measured against the best
rollerbladers in the world--men and women---and not just regarded asa novelty.
"I hate it when guys say girls can't do things. That is so out of my head now. Actually, that is what pushes me to be better. I just want to show that girls can do anything.