by Jyotsna Kamat
The memorial, half buried in the middle of a field was partially visible when discovered recently. After proper digging and cleansing, a figure in stone of a young lady was revealed. Seated on a coach and leaning on a cushion, she is depicted in a preaching posture. The figure is neatly dressed in a sari with flowing pleats. Very few ornaments could be identified as the stone appears worn out at places. Her thick hair is arranged in a top-bun.
In the left hand, she is holding a palm-leaf book with Kannada letters..." Shri Hari (a) Siddhi" with one finger carved as concealing the letter ra or ri.
Above the sculpture, a two-line inscription is engraved in Kannada characters of 10th century. It states that Savinirmadi, the daughter of Nagurjunayya and Nandigeyabbe was learned in all the sastras .
In medieval Karnataka, examples of learned women were not rare though the details regarding mode of educating women are not forthcoming. Many of the queens and princesses of the Chalukya- Hoysala times were well-educated. Some excelled in music and dance, some in the skill of weapons and some shone as administrators. (See: Status of Women in Medieval Karnataka). The feudatory kings could also boast of talented women folk, whose versatile qualities find mention in the inscriptions of their times. Shantala's name is too well-known.
But these women belonged to the elite.
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My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone and my sister -- Mrs Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, `Also Georgiana Wife of the Above,' I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine -- who gave up trying to get a living, exceedingly early in that universal struggle -- I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers- pockets, and had never taken them out in this state of existence.
The next one” –> Rakim
(repeat 2X except 8th line is “You know that I’m the soloist” –> Rakim)
Yo, my never-ending epic, got the world spinning hectic
I quickly spread it, till the whole city’s infected
Suspense that I supply intensify
Then commence as my daily events go by
You get involved in this, paragraphologist
Narratin novelist, market this, sound marvelous
I’m the star in this, which means the author’s authentic
Most definite, every episode’s a epidemic
So when you research, check it, here go the evidence
They represent with lyrical negligence for presidents
My science existed, without the fiction
Every inscription is a special edition
*Chorus A*, *Chorus B*
Yo, the legacy lives, let em see what the pedigree is
Mega-thesis, blessin these kids with extra features
The depth’s deep as, the deepest sea is
Telepathy increases melody gets speakers, telekinesis
Ideas appear as clear as, pictures in movie theaters
Lyrics you hear it, devestating the way you ear it
So stay tuned for sequels, part two’s and more
So soon you and your peoples can bumrush the store
The names have changed the game remain the same
How one came to reign on his claim to fame
No stoppin this I’m droppin this with hip-hop in this
And when the topic is topicless, then I’m.